Postcard for the exhibition, globe>miami<island at the Bass Museum in Miami Beach, December 13, 2001- February 3, 2002. The back of the postcard reads: The Bass Museum of Art presents globe>miami<island, a remarkable exhibition of contemporary art and performances curated by sculptor Robert Chambers. Housed along the ramp and new wing galleries of the museum, this exhibition features over sixty artists with Miami connections. Participating artists include: Janine Antoni, Kevin Arrow, Shareyar Ataie, Jose' Bedia, Frank Benson, Bhakti Baxter, Papo Colo, Robert Behar, Pablo Cano, Cooper, Robert Chambers, Tom Downs, William Cordova, Edouard Duval-Carrie', John Espinosa, Quisqueya Henriquez, Dara Friedman, Teresita Fernandez, Naomi Fisher, Nina Ferre', FeCuOp, Lynne Golob Gelfman, Luis Gispert, Felix Gonzales-Torres, Kathleen Hudspeth, Adler Guerrier, Jason Hedges, Audrey Hynes, Robert Huff, Julie Kahn, Gean Moreno, Rosario Marquardt, Glexis Novoa, Charo Oquet, Martin Oppel, Emilio Perez, Karen Rifas, Leyden Rodriguez-Cassanova, Paul Ramirez Jonas, Norberto Rodriguez, Joanne Rosen, Salvatore La Rosa, Tao Rey, Paul Stoppi, Robert Thiele, Cesar Tresobares, Mette Tommerup, Mathew Tremblay, Eugenia Vargas, Ursula Von Rydingsvard, Annie Wharton, Ward Shelley, Wendy Wischer, Elizabeth Withstandley, and Purvis Young.
Postcard for the exhibition, A Marriage of Myths Lithographs and Etchings at the Miami Beach Library, October 1 – December 1, 2001. The back of the postcard reads: Charo Oquet A Marriage of Myths Lithographs and Etchings. The friends of the Miami - Dade Public Library cordially invite you to a reception for artists Wednesday, October 10 at 7:00 pm. The artist will conduct a special printmaking workshop for children and their families at the library.
Postcard for the exhibition Strung Out at Bernice Steinbaum Gallery in Miami, September 10 – October 29, 2011. The back of the postcards reads: Rifas’ site-specific installation of nylon cord, stainless steel, or stitched leaves enable her to create volume with a spare amount of material. The work reacts to the unique features of the site and its sense of space. Some of the work deals with overlooked corners of the room, while others are bold compositions that cut through large swaths of space.