Truth
Cover image of Truth, a unique book in collaboration with poet, Susan Weiner. Gouache, cut, and perforated paper housed in a cloth-lidded portfolio box, 10 sheets, 12” x 12” x 1/2”,
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Copyright Rosemarie Chiarlone
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Pollock Krasner Foundation Inc. Tenth Anniversary Report 1985-1995
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Pollock Krasner Inc. tenth anniversary report highlights grant recipients from 1985 – 1995.
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Copyright Rosemarie Chiarlone
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Docks 3 série - nº 2/3 printemps-été 1992
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Copyright Rosemarie Chiarlone
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Book As Art
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<strong>Book as Art</strong> catalogs the Boca Raton Museum of Art exhibition from August 30-October 6, 1991.
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Copyright Rosemarie Chiarlone
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The Book as Art
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Individual Artists</a>
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<strong>The Book as Art</strong> highlights artist’s books from the National Museum of Women in the Arts. The forward reads: <strong>The Book as Art</strong> welcomes readers to the amazing world of artists’ books. Treasures of intricate craftsmanship, artists’ books take every possible form, include every artistic medium and method of bookmaking, and engage every subject from food and family to politics and poetry, familiar tales to wild fantasy. One of the finest collection of artists’ books in the world resides at the National Museum of Women in the Arts in Washington, D.C. The collection contains over eight hundred unique and limited-edition volumes by such renowned artists as Mirella Bentivoglio, Meret Oppenheim, May Stevens and Claire Van Vliet.
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Copyright Rosemarie Chiarlone
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Razor Wire Women
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<strong>Razor Wire Women</strong> includes essays and art by scholars, artists, and activists that reveal the experiences of incarcerated women. The back of the book reads: Offering nuanced portraits of women's lives inside razor wire and prison walls, <strong>Razor Wire Women</strong> puts incarcerated women in dialogue with scholars, artists, educators, and activists who live outside of prisons but work on issues connected to the prison industrial complex. Women make up the fastest-growing group of the U.S. prison population, yet prison scholarship largely overlooks the struggles of incarcerated women, and their voices are often silenced both in and out of the prison infrastructure. From the vantage points of those both inside and outside of prisons, this collection of essays and art illuminates many of the distinct experiences and concerns of incarcerated women, including those of girls in prison, abuse and rape, the policing of women, incarcerated motherhood, mental health issues in prisons, incarcerated women's artistic and cultural production, and prisons' impact on families, health, and sexuality. Combining the transcendence, hope and clarity of art with powerful analytical and conceptual tools, Razor Wire Women reveals the gendered dimensions of the incarceration now experienced by a growing number of women in the U.S.
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Copyright Rosemarie Chiarlone
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The Library and Research Center Books as Art VIII
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Booklet for the exhibition, <strong>Book as Art VIII</strong>, at The National Museum of Women in Washington, April 15 – October 25, 1996. The forward reads: The exhibition <strong>Book as Art VIII</strong> presents sixty-seven bookworks by forty-one women artists who have a wide range of interests and sensitivities. Whether they express happiness or despair, fleeting impressions or strong convictions, these works reflect the natural disposition of women toward confessional sharing and emotional introspection. Some of the participating artists include: Etel Adnan, Marion A. Baker, Michele Burgess, Marylee Bytheriver, Julie Chen, Rosemarie Chiarlone, Carol Cunningham, Evelyn Eller, Rose Folsom, Helen Frankenthaler, Rita Galle, Jan Gilbert, Adriane Herman, and Carol Pallesen Hicks.
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Copyright Rosemarie Chiarlone
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1997 Florida Artists’ Book Prize Award and Exhibition of Selected Entries
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Booklet for the exhibition, <strong>1997 Florida Artists’ Book Prize Award and Exhibition of Selected Entries</strong>, at the Bienes Center for the Literary Arts, February 12 – March 15, 1998. The first page reads: The Bienes Center for the Literary Arts and the Florida center for the Book are pleased to sponsor the first annual <strong>(1997) Florida Artists’ Book Prize</strong>. Among criteria for entering the competition were #1) the artist’s primary residence must be in the State of Florida. #2) the bookwork must be created in 1997, and #3) the work must not be a one-of-a kind nor a trade edition.
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Copyright Rosemarie Chiarlone
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2000-2001 Florida Visual Art of Fellowship
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<p>The booklet <strong>2000-2001 Florida Visual Art of Fellowship</strong>, highlights a touring exhibition co-curated by Brian A. Dursum and Denise Gerson. The third page reads: This current tour of <strong>Florida Visual Art Fellowship</strong> exhibition presents the work of four-teen outstanding artist working in the State today. Each artist brings to the exhibition his or her unique artistic vision, expressed in a variety of styles and media. Taken as a whole, the works, both individually and collectively, express a bold statement. They raise issues and posit questions, to which we, the viewer, are asked to respond. They represent an artistic slice of what artists throughout the State are currently creating and challenge us to ask for more.</p>
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Copyright Rosemarie Chiarlone
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The Art of Miami
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</a>
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<p>Booklet for the exhibition<strong> The Art of Miami</strong> at Southeastern Center for Contemporary Art, December 14, 1985 – January 26, 1986. The Introduction reads: An exhibition of “<strong>The Art of Miami</strong>” should prove intriguing for SECCA’s visitors. Everyone knows how congenial life is in South Florida. And most might expect to see traces of that in Miami art: some sort of Flamingo/ art Deco regal touch, done with lots of pastel and not too much mind. There will be some surprises. It is true that Miami is America’s tropical city, but that is not what sets it apart. It is a new city – an almost instantly big city – and a demographer’s dream of a city with a singularly rich and energizing mix of cultures and traditions. The artists chosen for this show represent a distillation of that mix, so that twenty-two can stand in for many and delineate the role heritage plays in Miami art. Participating artists include: Carlos Alfonzo, Mario Algaze, Stephen Althouse, Mario Bencomo, Stephen Bird, Maria Brito-Avellana, Philip Brooker, Carol K. Brown, Rosemarie Chiarlone, Angi Curreri, Christine Federighi, Ron Fondaw, Lisa Klausner, Suzanne Kores, Carol S. Levy, Silvia Lizama, Roberta B. Marks, Thomas Minor, Kenny Schneider, Cesar Trasobares, and Sandra Winters.</p>
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Copyright Rosemarie Chiarlone
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